I stumbled upon the video for Moby & The Void Pacific Choir’s song “Are You Lost In the World Like Me?” a few weeks back and liked the animation. Artist Steve Cutts did a wonderful job creating the video and I thought a bunch of the scenes looked just perfect for turning into gifs. So that is exactly what I did. Enjoy.
During all six of NASA’s manned lunar landings, astronauts were armed and trained to use modified Hasselblads. During the Apollo missions, NASA’s astronauts took photos of moon landings, moon walks, the lunar surface, the horizon, and the Earth with these cameras. The results included over 20,000 photographs by 13 astronauts over six lunar landing missions. This huge trove of photographs are cataloged at The Project Apollo Archive. NASA also released a large number of these photos on Flickr back in 2015. The photo above is one of my favorites from this collection.
Though shot originally for scientific purposes, many of the photos have an extraordinary aesthetic value that encompasses an inadvertently artful composition. The fine folks at T. Alder Books have sorted through the nearly 15,000 of these photos and came up with 45 images that consist of “unintended artful compositions” and a “beautiful, deft outtake quality,”. The collection will be released in a book entitled The Moon 1968–1972 that will be released later this month.
At a time when archival images are often hastily assembled into digital galleries that get passed around briefly on social media, it’s especially satisfying to sit with an affordable ($18), carefully edited, designed and printed archive of photographs of historical significance and esthetic value. Texts include excerpts from a speech President John F. Kennedy made about the Apollo program, and from an E.B. White story for The New Yorker recalling the first moon landing.
Jason Shulman has created a series of photographs by pointing a large format camera at a large monitor for the duration of a movie, effectively flattening down an entire film into a single image. The photographs end up looking like impressionist paintings with only small details and color schemes recognizable from the original work. I think they’re beautiful.
Michael Ridge does all sorts of interesting sound experiments. In this video he plays Poison’s classic 7″ vinyl single of ‘Every Rose Has Its Thorn‘ through a mic’d up branch of dried rose bush amplified by a contact microphone connected to a Marshall MS-4
“But he who dares not grasp the thorn should never crave the rose” – Anne Brontë
via Dangerous Minds
UPDATE: Attempting to play the 7″ vinyl single ‘Ice Cream’ by New Young Pony Club using an ice cream cone and attempting to play track one and two from Side A of the 1966 LP ‘The Band I Heard In Tijuana Volume 3’ by Los Norte Americanos using a lightly salted tortilla chip.
Jessica Harrison takes old ceramic statues of fancily-dressed women and disembowels them. These found porcelain figures, that are typically seen occupying a special place your grandmother’s credenza, are reimagined in the most gory of ways. The juxtaposition of the prim statuettes displaying their decapitated heads and freshly opened throats without changing their demure expressions is striking. Despite having appeared to have been subjected to an awful violence (perhaps their own), the Georgian and Victorian-era figures remain decorous figures. The results are gory and macabre while also being kitsch and playful.
This weekend I visited the Marilyn Minter retrospective at the Museum of Contemporary Art Denver (MCA). All the work was captivating in beautiful and disgusting way. Her juxtaposition of glamor and grit, of the revealing and the disturbing, and of the intimate and the amplified shown throughout the entire show. The title Pretty/Dirty couldn’t have been more apt. A great review of the exhibit can be found at Hyperallergic.
I was more impressed with her paintings than her photographs or videos. Above is a full-sized photo of Minter’s painting “Pop Rocks”. It’s a gigantic 9 feet by 15 feet. Outside of their sheer size and incredible detail, I’m fascinated by the process used to create them. The paintings start as heavily mixed and manipulated Photoshop negatives taken from earlier photo shoots. This new image is then turned into paintings created through multiple layers of translucent enamel paint on aluminum giving a rich hallucinatory look.
The final layer is applied with fingertips to create a softening of the paintbrush lines. And when you look closely you can see evidence of fingerprints and smudges all over her works. Below is a detail of the condensation from “Pop Rocks”
The Marilyn Minter retrospective will be showing at MCA through the month so hurry up and go see it while you can. You can find a few more of my photos from the exhibit below.
This haunting video is an exploration of Pablo Picasso’s massive 1937 painting “Guernica” The movie’s creator, Lena Gieseke, isolates each of the major subjects in the painting, renders them in 3D and uses the camera to explore the scene.
It provides the unusual opportunity to view the painting from a unique perspective, revealing aspects that would normally stay hidden from the casual viewer. When we discern the original painting in this three-dimensional reproduction, we recognize which features most significantly constitute the painting. Consequently this three-dimensional exploration of Picasso’s Guernica is an innovative technique for comprehending and appreciating the original masterpiece.