Bouncehausen Halloween Performance

At the Art Of Bleeding’s Halloween extravaganza held in Los Angeles this year, they will be hosting a rare live appearance by the enigmatic band/art-collective known as Bouncehausen. Their performance sounds like it is going to be both spectacular and horrific.

Bouncehausen will sonically recreate the exact moment of impact of a terrifying automobile crash, slow it down 300 million times and stretch it into one seven hour epic “song” that will take three days to play. If you are able to witness even a small part of this historic event you will have a much greater understanding of what it sounds like to exist on a molecular level as steel and glass twist and explode.

The collective is expected to sustain and revive themselves for the duration of the three-day performance through intubation. Yikes!

The Hierarchical Structure Of The Monster World

The folks over at Threat Quality Press have put together an entertaining article concerning which classical monster is the biggest badass. It’s an fairly long blog read but I suggest you read the whole thing so you don’t miss out on gems like this:

Monsters are rated according to how dangerous they are against each other, and then according to how dangerous they are to all the other monsters on the list. Only if all other metrics are equal is the relative danger to the average human considered–because, let’s face it, they’re all dangerous to the average human. They are monsters.

But if your really just too lazy to read, (and boo to you if that is the case [and not the scary kind]) here is the list:

    1. Shambling ghoul zombie
    2. Mr. Hyde / Creature from the Black Lagoon
    3. Running angry zombie / Voodoo Zombie
    4. Unclean spirits
    5. Witches (conditional)
    6. Regular vampires
    7. The Mummy
    8. Wolf-man
    9. Frankenstein’s Creature
    10. Dracula
    11. Malphas, a Mighty President of Hell (& al.)
    12. Cthulhu
    13. Nyarlathotep

Willy Juanka And The Cha Cha Factory

I saw Cabaret Diosa’s last show (ever!) on Friday at the Boulder Theater. Titled “Willy Juanka and the Cha Cha Factory”, it must have been one of the most turbo fun and sexually charged shows I’ve been fortunate enough to enjoy. Seriously, it was more fun than a janitor juggling chainsaws!

Cabaret Diosa is known more as a performance art group than an a straight-up band. Of it’s many musicians, (there must have been at 10+ members on stage at all times, not including the oompa loompas and various others characters running around) some are in bands in Chicago and Austin among other places. The percussionist, Manuel Rabinizmo, owns a film production company. The female lead singer, Montana del Fuego, is starting a Cirque du Soleil-style dance show at the St. Julien this winter. The band is full of talent both musically and otherwise making for a quality production.

The show was an unbelievable re-enactment of the entire “Willy Wonka and the Chocolate Factory Book” laid on top of a new mambo revival/tiki theme, all of which was given the self imposed rating of NC-17. The show started out with a custom made motion picture featuring the members of the band acting out the “golden ticket” scenes with all sorts of extra laughs and naughty, raucous behavior. A great way to introduce what band members would be playing what story characters.

The stage antics were astonishing. There was an actual pipe on the stage that sucked up Agustus Gloop. There was a version of the Candy Man that involved all kinds of sexual innuendo from sucking lollipops to smearing chocolate all over their faces. There was an phenomenal cover of Bow wow wow’s “I Want Candy”. Veruca Salt was eaten by a giant duck that kept yelling Aflac. The river boat scene, that had an actual boat, was done to a cover of Ozzy Osborne’s “Crazy Train”. There was a disco ball interlude and all kind of other lighting and special effects. There were oompa loompas who stripped down to nothing but panties and pasties. Violet Beauregarde was blown up to an enormous size. It was all so incredibly elaborate and downright fun. Everyone in the audience wore costumes. Golden tickets were handed out for free shows and free drinks. Congo lines danced through the audience. There was a weird cover of Dick Dales “Miserlou“. There were sweaty bodies dancing the night away till the show finally ended sometime around two in the morning. There was an oncore consisting of a cover of Queens “We Are The champions”. Caberat Diosa finished of the night with each member dawning a large drum and marching into the audience for a half hour jam “Rhythym Of The Saints” style. It was all pretty staggering. An undeniably wonderful night.

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